2017 was a fantastic year for video games. There was no shortage of exciting new properties both in the indie and AAA realms and older properties, such as Wolfenstein, Assassin’s Creed and Mario had new installments that reinvented those series in exciting new ways. This list could easily be twice as long and I plan to write longer pieces about certain games not on this list (most notably Nier: Automata) but these were the six games that most impressed me in 2017.
Turns out I had a little more to say about each of these albums than I though. It also turns out that rapid-fire publishing nine posts over eight days isn’t a great idea, so I’m clumping most of my favorite albums of 2017 into this post on this final day of the year. Here are my takes on weirdo-pop icon Fever Ray, prog theatrics from King Gizzard & The Lizard Wizard, a slab of supermassive riffs from Ground, a lightning-fast thrash assault from Lich King, and Igorrr, dear god, Igorrr, what have you wrought?
It’s not every day that an album like Melodrama arrives. It’s not even every year.
Trent Reznor absolutely succeded with this EP; he wanted to make something difficult, and, well, here it is. But it rules, and if you like industrial music, it’s immediately clear that it rules.
Distinguished readers, here is the 2017 album that took BloodLetterPress by storm, the one that we’ve had playing at most of our in-person meetings this year, the latest offering from the man we’ve come to view as the voice of a generation. Neil Cicierega, perhaps best known as the creator of Lemon Demon, Potter Puppet Pals, and countless other internet follies, has graced us with a third mashup album.
Edie once told me that every Finch who ever lived was buried somewhere in the library. Continue reading Snacko’s Favorite Games of 2017: What Remains of Edith Finch