Okay, so, we’re really preaching to the choir on this one; if you’re a regular here, you’re probably something of a bookworm, or have been one in the past. That said, books are more underrated than ever nowadays as a substantial form of entertainment. Herein are the literary weights we at BLP have been using to flex our imagination muscles.
Assuming you haven’t already, don’t go see Infinity War.
In order to preserve suspense and enjoyment for a first watching, we sometimes provide spoiler alerts. There is no suspense in this film, nor, outside of some one-liners, is there anything to be enjoyed. I trust you to make the right choice for you about whether or not to continue reading.
Broadcast 2: Anly
Welcome back to our second broadcast of O!susume. I started off with an older band, so this time I decided to go with someone (much) fresher on the scene. Gotta hit those, uh, younger demographics or something.
Years Active: 2014 to Present
Core Members: Anly (singer/songwriter)
Point of Origin: Ie, Okinawa
Broadcast 1: Do As Infinity
Welcome to the very first broadcast of O!Susume RadioBeat, Nagi’s personal music blog project that lets him jaw on and on about his fav Japanese artists and tries to get you, dear readers, to give them a spin as well.
After a lot of deliberation about who would take the honorary spot of this inaugural episode, Do As Infinity won out.
Do As Infinity
Years Active: 1999 to 2005, 2008 to present
Core Members: Tomiko Van, Ryo Owatari, Dai Nagao
Point of Origin: Tokyo
Turns out I had a little more to say about each of these albums than I though. It also turns out that rapid-fire publishing nine posts over eight days isn’t a great idea, so I’m clumping most of my favorite albums of 2017 into this post on this final day of the year. Here are my takes on weirdo-pop icon Fever Ray, prog theatrics from King Gizzard & The Lizard Wizard, a slab of supermassive riffs from Ground, a lightning-fast thrash assault from Lich King, and Igorrr, dear god, Igorrr, what have you wrought?
It’s not every day that an album like Melodrama arrives. It’s not even every year.
Trent Reznor absolutely succeded with this EP; he wanted to make something difficult, and, well, here it is. But it rules, and if you like industrial music, it’s immediately clear that it rules.
Distinguished readers, here is the 2017 album that took BloodLetterPress by storm, the one that we’ve had playing at most of our in-person meetings this year, the latest offering from the man we’ve come to view as the voice of a generation. Neil Cicierega, perhaps best known as the creator of Lemon Demon, Potter Puppet Pals, and countless other internet follies, has graced us with a third mashup album.
Edie once told me that every Finch who ever lived was buried somewhere in the library. Continue reading Snacko’s Favorite Games of 2017: What Remains of Edith Finch
If you’ve ever been under a weighted blanket, or dozed off in the trunk of a car during a hot summer, you know the sensation I’m trying to invoke when I say that Ex People’s debut Bird is a comfy doom album. Comfy doom is the kind of music that Windhand plays, the kind that Cloudkicker invoked on Subsume, the feeling of getting overwhelmed by something heavy and soft that pins you down and gets you cozy. It doesn’t need to be scary or capital-e Evil; its power comes from its ability to flatten, to neutralize, to disarm. “You’ll be eating out my hand,” vocalist Laura Kirsop promises on the track “You Creep”. It’s a cool subversion of the macho posturing that some elements of metal fall back on, and given Ex People’s roots in punk and riot grrrl, it’s certainly intentional.
The London quartet bring the low end like nobody’s business on Bird; at its grooviest, this album’s kinetic energy is the kind of meaty lumbering you might expect from an entire slumber of megatherium. But the blunt instruments of the rhythm section don’t just twist and crush aimlessly though the earth; this is not just a collection of nice riffs that become stale after twenty minutes. Ex People craft a heady soundscape, nestling you in layers upon layers of textured guitar, beautiful loud-soft dynamics, and a perfectly matched vocal performance even as you’re driven forth by the low end. Guitarist Calem Gunn said it best in an interview with Metal Hammer: “There’s a unique, addictive feeling to be wrought from playing low and slow. Weight and the absence of weight.” Bird is a colossal creature borne aloft.