Okay, so, we’re really preaching to the choir on this one; if you’re a regular here, you’re probably something of a bookworm, or have been one in the past. That said, books are more underrated than ever nowadays as a substantial form of entertainment. Herein are the literary weights we at BLP have been using to flex our imagination muscles.
Assuming you haven’t already, don’t go see Infinity War.
In order to preserve suspense and enjoyment for a first watching, we sometimes provide spoiler alerts. There is no suspense in this film, nor, outside of some one-liners, is there anything to be enjoyed. I trust you to make the right choice for you about whether or not to continue reading.
Hey hey hey, it’s Going Around season! Also, the second full-length season of The Adventure Zone is happening, so this week, the BLP crew shares their favorite cryptids, those beings who lurk at the edge of confirmable science.
Þa se wyrm onwoc, wroht wæs geniwad
— “When the dragon awoke, trouble flared again” (Beowulf, trans. Seamus Heaney, line 2287)
If you grew up on fantasy stories, dragons (in this post’s case, European dragons, the nasty, fire-belching, gold-hoarding, knight-slaying kind) were probably some of the first monsters you were introduced to as a child. They’re probably some of the first monsters you fell in love with as well (I still want to grow up to be Maleficent). It’s hard to imagine a time when dragons were a novel concept; thousands of years of elaboration and adaptation upon the draconic have produced dragons that are variously awe-inspiring, cute & cuddly, and totally metal, but rarely are they frightening or repulsive anymore (the Gaping Dragon from Dark Souls was probably the last dragon that made me recoil in horror). If we’re willing to get a little creative, though, dragons could be scary again. Let’s consider the fundamental features of these beasts, and what those features say about their role as antagonists.
Despite the fact that my game Jokers & Journeys has been part of the BLP catalogue since last November, I don’t consider myself a game designer just yet. The reason why has something to do with this principle from Things We Think About Games: “Having played chess does not qualify you to answer ‘yes’ when you are asked ‘do you play chess?'”
In case yall couldn’t tell from our barrage of selfies and excited squealing this past weekend, BLP had an absolute blast at Arisia. We came, we sold stuff, we met a whole ensemble of really rad people and came away with our heads full of new ideas. In this Going Around we wanted to take a moment to reflect on the most meaningful moments and events that happened for each of us during the weekend.
Sometimes, it’s nice to gaze up into the stars and get some perspective. You might contemplate the supermassive black hole at the center of our galaxy, or try to hold in your mind the fact that even the emptiest bit of space you can see is filled with stars too far away for us to see from our planet. You might wonder if there’s intelligent life looking back at us, and what their memes are like. Maybe you’re tracing one of the constellations, ancient storytelling tools drawn through light-years of space, shapes that will last the course of human history several times over before the ever-shifting universe pulls them apart. Maybe you’re just thinking about Carrie Fisher or Carl Sagan. This week, our panel of contributors share with you some of our favorite stories that take place in the final frontier.
Turns out I had a little more to say about each of these albums than I though. It also turns out that rapid-fire publishing nine posts over eight days isn’t a great idea, so I’m clumping most of my favorite albums of 2017 into this post on this final day of the year. Here are my takes on weirdo-pop icon Fever Ray, prog theatrics from King Gizzard & The Lizard Wizard, a slab of supermassive riffs from Ground, a lightning-fast thrash assault from Lich King, and Igorrr, dear god, Igorrr, what have you wrought?
It’s not every day that an album like Melodrama arrives. It’s not even every year.
Trent Reznor absolutely succeded with this EP; he wanted to make something difficult, and, well, here it is. But it rules, and if you like industrial music, it’s immediately clear that it rules.