Kamen Primer 101

The Unofficial Read-First Manual

So, I like this show called Kamen Rider. A lot. If you’ve been within proximity of me for a good amount of time recently, I have probably tried to convince you to watch it. And while I’m sorry about me, I’m not sorry about spreading the glory that is this four-decade-old live-action martial arts drama. I can (and probably will) say a whole lot more  in future posts about what Kamen Rider is, is not, tries to be, etc., but for newcomers I like to boil it down to “a bunch of super-pretty Japanese boys become superheroes and deal with their ANGST by beating up thematic kaiju cosplayers and/or other super-pretty boys”. If this description seems lacking in some crucial details, here’s a more objective explanation.

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Twenty Goblin Fruits

Goblin fruit grows in the Feywild and the Hedge that seperates it from the world of humans.  Whithin these hypnagogic realms, there are millions of varieties of local flora ready to bring ruin or respite for anyone willing to pick them, but because of the dangers involved, and the mercurial nature of the lands of the Fair Folk, attempts to catalogue them have proven futile.

Here are some goblin fruits that your players might find in faerie realms or other magical verdant places.  5th Edition D&D rules are given, but hopefully it’s a hop, skip, and a jump to port them over to Changeling or any other system you please.

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Dev Log 1: Stars Fall Up (redesign 1.0)

So, I’m writing about working on my game while I should be working on my game. Great.

For those who haven’t seen it on our Current Projects page, Stars Fall Up is a TRPG I’m working on—or, more descriptively, a mini-RPG for Us Damn Millennials.

A design factor that’s been on my mind a lot with this project is simplicity. That’s the word my brain goes to, but the full concept has more facets than the word “simplicity” can portray. I’m talking about simplicity in the way of “stripped of non-essential fluff and mechanics”. It’s the minimalism of game design. To be honest, this kind of simplicity is my modus operandi for creating games; I want to make games that other people who have little to no knowledge of TRPGs can pick up and be encouraged, not daunted, to try them out. I want mechanics that don’t feel like they have to be comprehended like the rules of a board game before any kind of fun can begin.

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Dungeon Days: The Haunted Manor

Prince of the Apocalypse, one of the official campaigns for 5th Edition D&D,  has a side trek wherein your party travels to an abandoned house to negotiate with a black dragon. Cool, right? Well, in theory. When your adventuring party has eight people in it, “talking to a black dragon”, no matter how big it is, translates to “killing a black dragon and taking its stuff”. There was no amount of spooky foreboding that was going to divert this party’s urge for big-game hunting.

So, I had to redesign the encounter. In fact, I redesigned it on the spot. It helped that I had finished reading through Kiel Chenner’s The Hell House Beckons a few days before. Today, I went back to my notebook, transcribed what I’d written, cleaned it up a bit, added some stuff, and redrew the maps. Here’s the result.

Rundreth Manor was once a grand estate—a little remote, but when you’re wealthy, a little remote goes a long way. Something horrible happened here, though, and the manor fell into disrepair. Here’s how it stands now. All doors are made of wood and unlocked unless otherwise noted. Areas 6 and 12 through 16 are pitch-dark unless characters have fallen into them. Other rooms are lit by daylight.

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Jamicom #2: Kirby 25 Anniversary

Celebrating its 25th anniversary this year, Kirby is one of my favorite long-running game series. It may not carry the gravitas of some of Nintendo’s A-listers, but its core platformers are consistently fluffy fun, and the weird spin-offs are often great and always interesting. The Kirby series has also produced tons of wonderful music over the years, and not just the energetic sugar-pop you’d expect. So, in honor of the pink puff’s big birthday, here’s a few of my favorite tunes from throughout the main series.

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It All Links To The Past

30 Years of Games Manage to Justify the Amnesiac Hero Trope

Y’know, I would be astounded to find out that I was the only person who is quite over amnesia-based plots in shows and video games. For those who need a refresher (cuz you forgot? Cuz amnesia? Do you get it) here’s the TV Tropes page for the Amnesiac Hero. As you might know, the latest Legend of Zelda game, Breath of the Wild, has the non-titular hero Link awakening to find he’s lost all of his memories– he has no idea why he woke up in a tank full of glowing goo wearing nothing but some stylin’ boxer-briefs. And only recently, after about 50 hours of gameplay, I feel like I’m actually able to appreciate the Amnesiac Hero trope, maybe for one last time.

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Books in the Wizard’s Library, Volume 1

Books in the Wizard’s Library (some translated into Common by the Society for a Vernacular Zenith)

1: Trans-Substantiality in Theory and Practice, by Sylas McCobun (important early book on astral projection)

2: A Treatise on Exospatial Psionics, Book I, by Hoexithrask Ith, trans. SVZ (rare text on inborn mental ability and its metaphysical source)

3: Second-Wave Necromancy: A Retrospective, by Parko “Bloodskull” Malgura (noted half-orc warlord-turned-sage)

4: Lost Gods, Ancient Pacts: The Vestigial Condition, by Aluzech the Weathered (burned at the stake by a lawful church)

5: Guards and Wards: A Beginner’s Guide, by Zaiger Jarnak, 2nd ed. (a well-loved book, worn from many readings)

6: An Angle Perpendicular to Everything: The Architecture of Fasil-Umbar, by His Harmoniousness Pelshai Quvanek

7: Secrets of The Philosopher Race, by The Comte S. Werthen (an unfinished work, prefaced by Faelis the Unborn)

8: A Millenium, by Yurogulvashenzugastriatanezareth, trans. Eluasha Tristavi (a bronze dragon’s memoirs, in Elvish)

9: Concerning the Curious Apotheosis of Taen of Melgranad, by Bodillo Vortivesk (avant-garde historical fiction)

10: Evocation for Fun and Profit, by Buskin Underhill (full of bad puns, someone has defaced every page in red ink)

11: A War on Two Fronts, by Lagazi Simreesh (tiefling ranger details battles with his heritage and with titan slaver)

12: My Will Be Done: The Art of the Well-Worded Wish, by Orestia Traenor (old, heavy clasp, describes efreeti & djinn)

13: The Manifold Self: The Psychological Effects of Spell-Induced Shapeshifting, by Piero Salazini, with Brek Fulaskis

14: The Red Scrolls of Ahm, by Ahm Alrashid, translated and compiled by Simon (exhaustive codex of demonic lore)

15: Mishaps in Resurrection: A Pathology, by Faelis the Unborn (itself an astral entity “resurrected” onto the Material)

16: Familial Religious Affiliation and Its Impact on Spontaneous and Learned Arcane Practice, by Sunali Moyangoko

17: Magical Vehicles Ancient and Contemporary, by Shoshana Wintergard (from personal flying machines to juggernauts)

18: A Practical Guide to Gem-Cutting for Maximal Effect in Ensorcelled Brandishables, by Olbrecht Dorvastengrad

19: Effects of Verbal and Somatic Variations on Common Pyrokinetics, by Kyroth Vyzaltar (founder of the Silver Legion)

20: The Book of Black Earth, by the Wardens of Sallowseed Grove (one-of-a-kind source text in original Druidic)

 

Look for more installments of Books in the Wizard’s Library in the future.  -ð

Big Eyes, Pink Hair and Rural Economic Stagnation

Sakura Quest is Unexpectedly Pragmatic for a Slice of Life Anime

A few weeks ago there were signs around my neighborhood that spring had finally sprung. Warmer weather and flowers and probably some other stuff, I wasn’t looking because more importantly, spring means new anime. During spoiler season, P.A. Works’ Sakura Quest made it to my “I’ll give it a couple episodes” list. The slice-of-life concept intrigued me, but it also had the flags of a squishy moeblob anime (a cast of hyper-saccharine girls doing cute things for the sake of being cute; for some people that’s their jam, but I had a near-fatal overdose of it circa 2008 with K-ON! and Lucky☆Star).

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The Last Adventure of Red the Firbolg

I just played through my favorite character exit I’ve ever seen in person, and I’d love to tell you about it. It might brighten your day.

A local friend kicked off a 5th Edition D&D game a while ago, set in a Dark Souls-style dark fantasy setting. The other players were playing an orc hardboiled detective, a tiefling warlock whose familiar was a best-selling author, a kor cliff-acrobat, and, for some reason, a shifter monk who was basically the robot gorilla from the cover of the FATE Core Rulebook. I decided to play counter to the tone of the setting a little bit and made a firbolg druid, exiled from his forest home for political reasons. Firbolgs (which in 5e are blue-skinned forest-dwelling demi-giants, like how an elf might picture a giant) don’t have names, but the party ended up calling him Red, after his red hair. Red loved nature. Like, really loved it, with giddy enthusiasm. Think Leslie Knope from Parks and Rec with none of the organizational skill. He was the party’s two-hundred-fifty-pound medic and chef (he took the Gourmand feat), who could talk to animals and plants and be understood, but couldn’t receive a response without further magical aid. His spellcasting focus was a live squirrel. I decided to roll for my ability scores instead of doing point-buy, and ended up with pretty fantastic stats in everything but Intelligence. Red knew how to use every plant he’d ever seen, but had no idea what any of their names were. Firbolgs don’t have names, y’know?

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April ’17 DEATHWRITE conclusion

So, BLP hosted its first DEATHWRITE yesterday (4/23/17) with a fully-functioning site and social media channels.

As for me, I ended up not even breaking 3k. But that’s alright, because I still got three articles written, that y’all will be seeing here in the coming weeks. My goal this time was not to produce a quantity of content in an aim for 10k; I wanted to take the content I had already produced from past DEATHWRITEs and polish it up into something I felt good about publishing.

I can’t speak for our other Contributors directly, but it seems all who participated had satisfying results, though no one got near the 10k mark this time. A friend of ours came over and made good headway on penciling for a new comic.

I wanted to write this to show that even though DEATHWRITE calls upon participants to “produce without excuse”, the spirit of the event lies in pushing yourself to make something that you might not have otherwise. To turn those “I should”s into “I did”s. We want anyone who’s interested in DEATHWRITE to feel encouraged to participate, rather than be daunted by the scale of the challenge. If you have something you want to make, come write it. Draw it. Record it. Plan it. We’ll be here.

— Nagi