Over the years, I’ve noticed a divide in the kinds of media that my friends and I consume. Most of the time, across mediums, my tastes tend strongly towards work with high production value; I’m all about skilled musicianship and a clean mix, and typo-ridden or trope-heavy writing leaves a bad taste in my mouth. I don’t believe production value is the be-all end-all of art, but I’m way more likely to give something a chance if whatever sample I’m checking out bears the hallmarks of careful craftsmanship. This means that a lot of the styles of media my friends love (like bedroom folk-punk and fanfiction) never really grab me. We’ll come back to that, but first, I need to tell you about how I couldn’t stop yelling about Dragonoak.
Identifying the differences between stories that build up and stories that burst brightly
I have an issue with some stories that I don’t have with others, even when the pieces of media are relatively similar in aesthetic or narrative scope. I wondered about it on and off for years, trying to figure out the “X factor” that switched the paths in my brain between “I’m thoroughly engaged in this” and “I can’t figure out if I’m only watching this ironically now”. And while my analysis is far from complete, I feel confident enough in my results to write this post, which I’m hoping will be the first in a series of thoughtpieces on this topic.