Tag Archives: review

Album Review: Nine Inch Nails, Bad Witch

I’m probably past the point of providing an unbiased review of a Nine Inch Nails release. Over the years, I’ve immersed myself in Trent Reznor’s music to such a degree that I feel I can address his work in totality, with a scope encompassing the ongoing life cycle of Nine Inch Nails, and, to a degree, industrial music in general.  Given that, I regret to report that Bad Witch is kind of a lackluster release, and presents a less-than-fulfilling conclusion to the trilogy of EPs that began with Not The Actual Events and continued with Add Violence.

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Scriv’s Favorite Albums of 2018: Beyond Creation, Algorythm

Since The Faceless started falling apart and Meshuggah had a brand-new genre label foisted upon them, Beyond Creation have been my go-to band for technical death metal. The Montréalais quartet don’t sound like every other tech death band, and honestly, given how samey tech death tends to be, that’s enough to get me interested. But Beyond Creation went beyond getting me interested and got me well and properly hooked.

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Going Around: Recent Reads

Okay, so, we’re really preaching to the choir on this one; if you’re a regular here, you’re probably something of a bookworm, or have been one in the past.  That said, books are more underrated than ever nowadays as a substantial form of entertainment.  Herein are the literary weights we at BLP have been using to flex our imagination muscles.

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In Which Scriv Gets Mad About A Film

Assuming you haven’t already, don’t go see Infinity War.

In order to preserve suspense and enjoyment for a first watching, we sometimes provide spoiler alerts. There is no suspense in this film, nor, outside of some one-liners, is there anything to be enjoyed. I trust you to make the right choice for you about whether or not to continue reading.

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The Rest of Scriv’s Favorite Albums of 2017

Turns out I had a little more to say about each of these albums than I though.  It also turns out that rapid-fire publishing nine posts over eight days isn’t a great idea, so I’m clumping most of my favorite albums of 2017 into this post on this final day of the year.  Here are my takes on weirdo-pop icon Fever Ray, prog theatrics from King Gizzard & The Lizard Wizard, a slab of supermassive riffs from Ground, a lightning-fast thrash assault from Lich King, and Igorrr, dear god, Igorrr, what have you wrought?


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Scriv’s Favorite Albums of 2017: Neil Cicierega, Mouth Moods

Distinguished readers, here is the 2017 album that took BloodLetterPress by storm, the one that we’ve had playing at most of our in-person meetings this year, the latest offering from the man we’ve come to view as the voice of a generation. Neil Cicierega, perhaps best known as the creator of Lemon Demon, Potter Puppet Pals, and countless other internet follies, has graced us with a third mashup album.

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Scriv’s Favorite Albums of 2017: Ex People, Bird

If you’ve ever been under a weighted blanket, or dozed off in the trunk of a car during a hot summer, you know the sensation I’m trying to invoke when I say that Ex People’s debut Bird is a comfy doom album.  Comfy doom is the kind of music that Windhand plays, the kind that Cloudkicker invoked on Subsume, the feeling of getting overwhelmed by something heavy and soft that pins you down and gets you cozy.  It doesn’t need to be scary or capital-e Evil; its power comes from its ability to flatten, to neutralize, to disarm. “You’ll be eating out my hand,” vocalist Laura Kirsop promises on the track “You Creep”.  It’s a cool subversion of the macho posturing that some elements of metal fall back on, and given Ex People’s roots in punk and riot grrrl, it’s certainly intentional.

The London quartet bring the low end like nobody’s business on Bird; at its grooviest, this album’s kinetic energy is the kind of meaty lumbering you might expect from an entire slumber of megatherium. But the blunt instruments of the rhythm section don’t just twist and crush aimlessly though the earth; this is not just a collection of nice riffs that become stale after twenty minutes. Ex People craft a heady soundscape, nestling you in layers upon layers of textured guitar, beautiful loud-soft dynamics, and a perfectly matched vocal performance even as you’re driven forth by the low end. Guitarist Calem Gunn said it best in an interview with Metal Hammer: “There’s a unique, addictive feeling to be wrought from playing low and slow. Weight and the absence of weight.”  Bird is a colossal creature borne aloft.